Thursday, August 21, 2014
Blue Fog
Like fog creeping over mountaintop,
running wispy fingers
slowly
through branch, parting leaves--
soothing, seducing,
lulling unsuspecting ridge to sanction passage.
Saturating, consummating, consuming,
then vanishing to phantom misty memory.
Dull void.
Sad silence.
Bare
Barren.
Saturday, August 2, 2014
A Standard of Relation
I'm going to share the words of a very special guest today: my big brother, Joel. He took on the extremely difficult task of delivering a eulogy on behalf of our family at our dad's funeral a few days ago. I am grateful to him for shouldering a responsibility that I would not have been strong enough to bear. He did it so perfectly. I could think of nothing to add or to subtract.
a eulogy delivered by Joel K. Score, July 30, 2014
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In Remembrance of Severt Ole Score
November 22, 1928 - July 26, 2014
a eulogy delivered by Joel K. Score, July 30, 2014
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Mom
and dad tell me that when I was three I said I was going to be a pastor so that
I could talk in church. I wasn’t sure I would speak today. But fifty years
after that declaration, perhaps it’s time.
I
miss him. Dad. Severt. That’s true this week, and it’s been true these past few
years as we’ve lost him, further and further, to memory loss and confusion.
In planning this service, we tried to guess how
many people would come. In practical terms, that means how many sandwiches we
need.
But it also means thinking about family—who’s
still living, how well they’re getting around, how widely they’re scattered.
It means thinking about all of the places dad has
been and the people he’s known—in this church and this town, in the nearly
twenty churches he’s served (almost a score! How could I speak about dad
without one pun?)—all of those churches in half a dozen towns.
It means thinking about the places he lived
earlier in his life and places he made friends while passing through.
It’s also meant thinking about the caregivers who
have helped dad and helped us, his family, so much in these last years: at
Legends, where he’s been in memory care since May 2012; at St. Croix Hospice,
whose team gave him a jump-start last winter and gave us advice and solace this
past week; at Country Manor, whose nurses, aides, and social workers scarcely
had time to get to know dad; and here at Bethlehem, which sent pastors and
volunteers to visit him.
I’d
been thinking that those of you who have known Severt only in these St. Cloud
years have missed out on a lot. And you have—
You missed the practical joker who rewired a
seminary classmate’s radio so that it could be switched on and off only from
the next room (I missed that too—I was two when he graduated).
You missed the young husband who, in a mix of
necessity and the joy of making things, crafted much of the furniture for his
and mom’s first homes from salvaged crates and other cheap wood (I still have
some of it, including the toddler-size table, chairs, and bookcase he built
me).
You missed the father who taught us what he knew
but also how to look up what he didn’t know, and to look up more than one point
of view. The father who told impossibly long shaggy-dog stories to entertain
us, but really to keep us quiet, on long drives to visit relatives. The father
who, when we were misbehaving, might introduce us as “Bea’s kids from her first
marriage.”
You missed more building—the elaborate camper
custom-fit to the roof and tailgate of our Pontiac station wagon; the smaller
pushing structure that turned our red wagon into a racecar.
You missed exotic cuisine—the foraged mushrooms
that mom would have nothing to do with; the pickled stems of purslane (a
succulent weed that’s tastier than some standard vegetables); the rhubarb and
backyard-grape wine of which some parishioners did not approve.
You missed thoughtful conversations about how much
people miss when they read any meaningful text as strictly literal.
You missed some periods of depression.
You missed most of his art-making.
And you missed forty years of sermons—some
inspirational, some entertaining, some meandering discussions of Hebrew or
Greek etymology, some just plain embarrassing to the family members who
appeared in them.
But
you also—especially you caregivers—helped me see how much was still there.
The activities director at Legends, Blaire, recognized
how important it was to Severt to make things with his hands and to help
people, and she sought out ways for him to continue doing both.
Dad
had made some things since coming to St. Cloud, but mostly he accumulated
materials for sculptures and other projects that were never realized.
He filled a two-car garage with tools and rocks, blocks
of wood and bits of plastic, prescription jars filled with golf tees or pen
springs. He could pick up most anything there and tell you what he saw in it,
or how it might fit with that car part in the corner to make a bird or solve a
workshop problem. But he could no longer follow through and put the pieces
together. They just piled up.
Cleaning out that garage, and (necessarily)
discarding much of the stuff, was among the hardest things I’ve ever done. I
could see what had drawn him to most of the scraps—their geometry or color or
heft in the hand. His belief in the value of simple things, the dignity of
materials, his abhorrence of waste, was everywhere evident.
But to every thing there is a season.
It
was in speaking with caregivers this past week, and with friends who’ve offered
support, some of whom never met dad, that I decided I should say something
here.
I spoke with Wayne, a nursing assistant at Legends,
about how we resemble our fathers, whether we want to or not, and how
eventually, if we’re lucky, we find ways in which that’s a good thing.
I saw how dad, when he could barely talk, charmed
the staff at Country Manor, and how, when he stopped talking, and scarcely
moved, those last three days, they saw dad in us, his family.
I’ll
leave it to others here to speak of eternal life.
I know my father lives on in the people whose
lives he touched—in the family he loved, the friends he loved, in the strangers
he loved.
He lives in me, as he long has, as my mother does,
as others I love do. He lives in me not just as a relation—someone in my family, someone on my
side—but as a standard of
relation, a principle I use in finding my place in relation to other things and
other people.
I don’t aim to duplicate dad’s life, but I
evaluate others’ prescriptions for living in relation to what he and mom taught
and exemplified.
In
a commencement speech last year, the novelist George Saunders said, “What I
regret most in my life are failures of kindness. Those moments when another human being was
there, in front of me, suffering, and I responded . . . sensibly. Reservedly.
Mildly.”
Age, he said, may
erode selfishness: “We get our butts kicked by real life, and people come to
our defense, and help us, and we learn that we’re not separate, and don’t want
to be.”
So time may make us kinder, he said, but why wait?
Start now. Go on with whatever else matters in your life, but be kind.
That
fits with my sense of dad and what he valued. It fits with his short poem that
we included in the memorial card. It fits with much of what he reminisced about
as his memory failed.
The details weren’t always to be trusted. He
recalled with gratitude all he’d learned from his brother-in-law Andy about
fixing engines (I don’t doubt that)—then he mentioned that they’d invented the
airplane (perhaps not).
But the important things were consistent: he
believed in generosity, both material and of the spirit; he believed in
inclusiveness and encouragement; he believed in kindness; he believed in love.
And if we live up to that, he’s with us.
Monday, September 24, 2012
Sunday, September 23, 2012
Trust
Monday, July 30, 2012
THE MAVEN - a poem written by my dad
THE MAVEN
(a poem that doesn’t ask the question: “Do mites have
ears?”)
by
Severt Score
Once upon a dead mite’s ear
was found a dozen dead bacteria,
Twelve microscopic corpses on
that arachnid on the floor.
As I spied that dead arachnid
I wondered what kind of whack did
Dispatch that tiny creature
to the land beyond death’s door.
What sent that little mite on
to the land beyond death’s door.
Tell me that, if nothing
more.
Was it some miniscule mugger
or a commercial de-bugger
That made that mite expire --
something he’d never done before?
Was it victim of a swatter?
Did it die from lack of water?
Did it starve for lack of
food because to buy it was too poor?
Was it victim of starvation
because to buy it was too poor?
What dispatched it through
death’s door?
Was it gout or was it dropsy?
Should we ask for an autopsy?
Should some wise forensic
wizard probe this mystery to the core?
Could some wise police
detective help us gain the right perspective
In the matter of the demise
of the mite upon the floor?
Could he find an explanation
of that body on the floor?
At least that, if nothing
more.
We went up to New Haven and
retained an able maven.
(“Maven” is a Yiddish word
for one who knows the score
And can go without confusion
straight to the right conclusion.)
He had been solving mysteries
for thirty years or more.
Expert in forensic medicine
thirty years or more.
Oh, that maven knew the
score!
Well, he came down to our
city to pursue the nitty gritty
Details of the mystery that
made our brains so sore.
He was persistent. He was
thorough. He carefully turned each furrow
As he plowed through all the
evidence -- o’er the facts did pore.
He left no stone unturned --
o’er all evidence did pore.
Oh, that maven knew the score!
Oh, whatever did that cop
see? Naught was found in the autopsy
But the dozen ear borne
corpses that we told about before.
All he found in the
inspection was a petered out infection --
Just a dozen dead bacteria --
only that, and nothing more.
Only twelve deceased bacteria
on the ear, and nothing more.
Just a dozen, three times
four.
Well, it seems that each
bacterium had succumbed to some strong serum,
But not before the arachnid
was a corpse upon the floor.
Given sooner that same serum
might have conquered each bacterium
In time to save their tiny
host and snatch it from death’s door.
Given sooner might have saved
it from passage through death’s door.
Now it’s dead upon the
floor.
Or perhaps some stronger sera
could have conquered the bacteria.
Some powerful medications
might have held some hope in store.
But saddest words of tongue or
pen, as the poet said, are “It might have been.”
And what might have been did
not occur, so it hit the floor.
For want of stronger sera the
arachnid hit the floor,
Stiffer than a two by four.
Can you tell us, clever
sleuth, relentless stalker of the truth,
If you find this kind of germ
when a mite’s ear you explore,
Does twelve seem an average
count, or what’s the usual amount?
When a mite’s ear you
explore, is it less or is it more?
Quoth the maven, “Never more.
Sometimes less, but never more.”
Quoth the maven, “Never
more.”
“To find none is always nice.
I’ve found a dozen once or twice.
“The usual number I have
found is in the range of three or four.
“Six or seven is not so
strange, but three or four’s the usual range.
“I have found twelve but
never more when a mite’s ear I explore.
“No arachnid has ever more
when its ear I explore.”
Quoth the maven, “Never
more.”
Thursday, June 7, 2012
Strength’s Casket
The ceiling hovers like an airtight lid.
The pounding in my head, nails,
I no longer resist.
I rest.
Rest is said to rejuvenate.
That’s what I’ll say I’m doing.
In this airless room,
I wait.
In the past, I had the strength
To run out the door to fields a flower,
To trudge toward the exit,
To crawl.
This state becomes the new norm.
I breathe smaller breaths,
Make fewer moves,
Eat less.
Oh, to fade from existence.
The crunching of the termite’s jaw
Muted, as from some distant land
Where destruction is merely change,
Deterioration is transformation.
I exhale.
Exhale.
Wednesday, February 15, 2012
I am Woman, Hear Me...
Coming off a project in which I wrote a script with three great, highly nuanced male roles and one so-so female supporting role, I read this article:
Nothing new. The study didn't even address the fact that there are more female actors vying for fewer good female roles.
I am proud of the latest script I completed, but I do regret that it had worse than a 3:1 ratio of decent male roles to female roles. Reading this article, I'm reminded that as a female writer, I still can be part of the gender inequality problem.
Since I started out acting, part of my dream has always been to write scripts that will bring creative opportunities and employment to more female actors. It is always about the story first, and not the casting agenda; however, with half of the world population being female, it is utterly foolish to think that strong female characters somehow weaken a story! The male-dominated story mill is not a product of logic, but rather of habit. Given the fact that male screenwriters are less likely to go out of their way to create strong female roles*, I believe it is not only a noble dream for me to do what I can to fill the gap... it is also my responsibility.
It was such a joy to see all of those women up at the podium receiving the SAG Award for outstanding cast for The Help this year. While I must admit that it would be nice to someday receive recognition from the Academy for my writing, I think it would be equally enjoyable to be able to sit back and watch a group of talented actresses receive an award that they never would have been considered for if not for hours, weeks, months, even years I spent creating characters for them to inhabit.
This is not just another "I am woman, hear me roar" rant, but rather a "I am woman, hear me... Hey! Over here! I am woman, I exist... I am part of this world you are writing about. Please remember that at least occasionally. It could even add some authenticity and depth to your writing!"
There may have been a lot of changes in the world for women in the four decades since Helen Reddy wrote her #1Hit Song, "I am Woman," but looking at what comes out of (and what goes on in) Hollywood, I'd say we've still got a long way to go... Baby.
* Hats off to Tate Taylor, however, for writing the screenplay for The Help (based on a novel by a female writer, BTW)
Gender inequality still has a starring role in Hollywood
Nothing new. The study didn't even address the fact that there are more female actors vying for fewer good female roles.
I am proud of the latest script I completed, but I do regret that it had worse than a 3:1 ratio of decent male roles to female roles. Reading this article, I'm reminded that as a female writer, I still can be part of the gender inequality problem.
Since I started out acting, part of my dream has always been to write scripts that will bring creative opportunities and employment to more female actors. It is always about the story first, and not the casting agenda; however, with half of the world population being female, it is utterly foolish to think that strong female characters somehow weaken a story! The male-dominated story mill is not a product of logic, but rather of habit. Given the fact that male screenwriters are less likely to go out of their way to create strong female roles*, I believe it is not only a noble dream for me to do what I can to fill the gap... it is also my responsibility.
It was such a joy to see all of those women up at the podium receiving the SAG Award for outstanding cast for The Help this year. While I must admit that it would be nice to someday receive recognition from the Academy for my writing, I think it would be equally enjoyable to be able to sit back and watch a group of talented actresses receive an award that they never would have been considered for if not for hours, weeks, months, even years I spent creating characters for them to inhabit.
This is not just another "I am woman, hear me roar" rant, but rather a "I am woman, hear me... Hey! Over here! I am woman, I exist... I am part of this world you are writing about. Please remember that at least occasionally. It could even add some authenticity and depth to your writing!"
There may have been a lot of changes in the world for women in the four decades since Helen Reddy wrote her #1Hit Song, "I am Woman," but looking at what comes out of (and what goes on in) Hollywood, I'd say we've still got a long way to go... Baby.
* Hats off to Tate Taylor, however, for writing the screenplay for The Help (based on a novel by a female writer, BTW)
Labels:
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Gib Gerard,
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SAG Awards,
screenwriting,
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